The man to open his ears widest to flatterers is he who first flatters himself and is fondest of himself

Mass
in
Motion

Girl with a Suitcase

Film
Skool


Aida (Claudia Cardinale, Once Upon a Time in the West, The Day of the Owl) has fallen for a rich playboy and arrives at his door to find it firmly shut and herself ignored. His younger, more sensitive brother, Lorenzo (Jacques Perrin, Cinema Paradiso) helps her and finds himself quickly besotted.

Cardinale gives one of her most tender and vulnerable performances in Girl with a Suitcase, an unsentimental coming-of-age story that deals as much with adolescence as class. A vital director of Italy’s post-war cinema, Valerio Zurlini’s small but remarkable body of work deserves to be discussed among the greats.

Coming soon from Radiance Films

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Presence

Film
Skool


A family becomes convinced they are not alone after moving into their new home in the suburbs.

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The Brutalist

Film
Skool


When a visionary architect and his wife flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern United States, their lives are changed forever by a mysterious, wealthy client.

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Bring Them Down

Film
Skool


An Irish shepherding family thrust into battle on several fronts: internal strife, hostility within the family, rivalry with another farmer. Paternalism, heritage, and the generational trauma cycle through the cultural prism of Ireland.

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Companion

Film
Skool


A billionaire's death sets off a chain of events for Iris and her friends during a weekend trip to his lakeside estate.

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Heart Eyes

Film
Skool


For the past several years, the “Heart Eyes Killer” has wreaked havoc on Valentine’s Day by stalking and murdering romantic couples. This Valentine’s Day, no couple is safe…

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Whether to play, or to ride Those winds that clamour of approaching night

Mass
in
Motion

Novocaine

Film
Skool


When the girl of his dreams is kidnapped, a man incapable of feeling physical pain turns his rare condition into an unexpected advantage in the fight to rescue her.

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