Mass in Motion
The Pleasure Is Mine
Film Skool
| Twenty-year-old Antonio wanders the streets of Buenos Aires, using his magnetic charisma and sexual confidence to survive through hustling, drug dealing, and stealing from his various hookups, living with a sense of impunity despite his inability to form genuine connections.
His volatile relationship with his mother oscillates between intimacy and hostility until she finally confronts him and pushes him to leave. His escape transforms from a simple pursuit to recover stolen money into an unexpected journey where Antonio seeks real intimacy in surprising places and discovers a chance for redemption in this sexually charged film of desire versus love.
Black Zombie
Film Skool
| Black Zombie digs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins.
Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power. A symbol of stolen agency was recast as an object of fear, while black spiritual traditions were distorted, sensationalised, and erased.
Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like White Zombie, Night of the Living Dead, and The Serpent and the Rainbow. archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown.
Part cultural reckoning, part horror remix, Black Zombie exposes how a figure born from enslavement, spiritual belief, and resistance was transformed into one of pop culture’s most profitable monsters.
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