F i l m S k o o l
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Upon its release in 1980, Brian De Palma's Dressed to Kill was as acclaimed for its stylish set-pieces and lush Pino Donaggio score as it was condemned for its sexual explicitness - but the glee with which the writer/director turns this material inside out is completely infectious, as he delves deep inside the troubled psyches of his characters to undermine expectations at every turn.
After sexually frustrated housewife Kate Miller (Angie Dickinson) has a session with her psychiatrist, Dr Elliott (Michael Caine), she silently seduces a man in an art gallery - an assignation that ends in murder and the only witness, high-class prostitute Liz Blake (Nancy Allen), being stalked by the killer in turn.
One of De Palma's darkest and most controversial suspense thrillers, Arrow Video is proud to present this iconic neo-Hitchcockian masterwork in stunning 4K alongside a raft of archival and newly commissioned bonus features.
4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible)
Original lossless 1.0 mono soundtrack
Optional lossless 5.1 soundtrack
Brand new audio commentary by critics Drusilla Adeline and Joshua Conkel
Audio commentary by critic Maitland McDonagh
Beyond Good and Evil, a brand new visual essay by critics BJ and Harmony Colangelo
The Empathy of Dressed to Kill, a brand new visual essay by critic Jessica Crets
Strictly Business, a 2022 interview with actress Nancy Allen
Killer Frames, a 2022 interview with associate producer/production manager Fred C. Caruso
An Imitation of Life, a 2022 interview with actor Keith Gordon
Archival interviews with actors Angie Dickinson, Nancy Allen and Keith Gordon, and producer George Litto
The Making of a Thriller, an archival documentary on the making of the film
Unrated, R-rated and TV-rated comparison featurette
Slashing Dressed to Kill, an archival featurette examining the changes made to avoid an X rating
Photo gallery / Theatrical trailer
Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx
Collector's booklet featuring new writing on the film by Sara Michelle Fetters, Alexandra Heller-Nicholas, Matthew Sorrento and Heather Wixson
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