Bentley Robles

Beats

Rhynes

& Life

New Song, new music from Bentley Robles.

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More music: find it all, at KAOS.

Talk to me on Twitter.

KAOS on Tumblr.

A House of Dynamite

Film

Skool

 White House staffers grapple with an impending missile strike on America, this gripping drama unfolds in real-time as tensions escalate.

John Candy: I Like Me

Film

Skool

From director Colin Hanks and lifelong John Candy fan Ryan Reynolds comes John Candy: I Like Me, an exploration of the life of the Canadian comedic icon. This John Candy film documents his on- and off-camera existence, featuring never-before-seen home videos, intimate access to his family, and candid recollections from collaborators to paint a bigger picture of one of the brightest stars of the ’70s, ’80s and ’90s. It’s the story of a son, husband, father, friend, and professional driven to bring joy to audiences and loved ones while battling personal ghosts and Hollywood pressures.

There are some ideas so absurd that only an intellectual could believe them

Mass

in

Motion

Faithless

Beats

Rhynes

& Life

Find A Way, new music from Faithless.

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More music: find it all, at KAOS.

Talk to me on Twitter.

KAOS on Tumblr.

If you kept the small rules, you could break the big ones

Mass

in

Motion

The man to open his ears widest to flatterers is he who first flatters himself and is fondest of himself

Mass

in

Motion

Him

Film

Skool

 A young athlete descends into a world or terror when he's invited to train with a legendary champion whose charisma curdles into something darker.

Boorman and the Devil

Film

Skool

 After directing Point Blank and Deliverance, John Boorman was offered to direct The Exorcist II. The film became a massive failure, nearly ending his career. Years later, cast and filmmakers discuss its ambition and artistic value.

The Delinquents

Film

Skool

 A group of poor youths tear around Madrid pulling scams and petty crimes. As one of their gang prepares to perform in a serious bullfighting competition, they plan a heist that will raise the money to finance his entry. Breaking with tradition by filming in the streets and utilising documentary techniques to give the film an urgent resonance, Carlos Saura and producer Pere Portabella (Viridiana) were announced as a powerful new force in Spanish cinema when the film was nominated for the Palme d’Or at the Cannes Film Festival.

Suffering curtailed distribution by Francoist censorship, this new restoration reinstates previously removed footage and presents the film as originally intended.

Out 15/09, from Radiance.