A look at the toll of social media through the eyes of Daisy Moriarty, who while dealing with a chaotic personal life, finds herself sucked into the underbelly of the internet.
A couple's vacation at a secluded estate is upended when they're forced to share the mansion with a mysterious couple. A dream getaway spirals into a nightmarish maze of sex, lies, and manipulation, triggering a battle for survival.
A white-knuckle ride through one of America's wildfires as a wayward school bus driver and a dedicated school teacher battle to save 22 children from the inferno.
Based on real events, from the life of Andrea Casamento. Andrea's life, a middle-class woman, changes drastically when her 18 year-old son ends up in jail falsely accused for a misdemeanor he did not commit. Now she must dedicate his days to freeing him from jail. To release him, she has to face the bureaucracy of the judicial system, prisoner abuse, but above all her own prejudices, values and beliefs. She will realize of this powerful change when she can't help falling in love with a convict.
When Ashley asks for a divorce, the good-natured Carey runs to his friends, Julie and Paul, for support. Their secret to happiness is an open marriage; that is, until Carey crosses the line and throws all of their relationships into chaos.
After turning heads with his bold single Daddy and lending his vocals to Midnight Pool Party’s recent disco jam One Day, Australian alt-pop artist Nick Pes is back with Adonis a shimmering, slow-burning ode to impossible beauty and divine attraction.
Built on glistening synths and a pulsing undercurrent, Adonis is part devotional, part dance floor daydream. It’s queer pop that leans all the way into worship: of the body, of desire, of that one guy you can’t stop thinking about - the one who looks like he stepped out of a myth.
“Now I’m on my knees / Can I worship you please?” Pes sings, with a wink and a little bit of holy desperation.
From “Daddy” to Deity
Earlier this year, Nick dropped Daddy - a cheeky, club-ready flirtation that fully embraced queer dominance, submission, and fantasy with a tongue firmly in cheek. With its bold repetition and commanding tone, it proved Nick isn't afraid to say exactly what he wants (or how he wants it).
Now, Adonis takes a more reverent turn, but it’s still unmistakably Nick: dreamy, sexy, and soaked in synth. Both tracks reflect an artist unafraid to put queer longing front and centre, not as subtext, but as the main event.
“Some people are so beautiful you don’t just want them - you revere them. That’s Adonis.” - Nick Pes
Risking everything to secure a future for herself and her brother, Lynette sets out on a dangerous odyssey, confronting her own dark past over the course of one propulsive night.
Jack ventures to remote New Zealand for the funeral of his estranged mother and meets her widow Jill. But his mother's spirit returns to inhabit each of their bodies, instigating a life-threatening three-way nocturnal dance.
Sydney Pollack directs Natalie Wood, Robert Redford, Kate Reid, and Charles Bronson in this sizzling Hollywood classic, adapted by Francis Ford Coppola from the classic play by Tennessee Williams.
Depression-era Dodson, Mississippi, is particularly devastated with the arrival of Owen Legate, a railroad official with a pocketful of pink slips for the rail yard employees. When Legate appears on the doorstep of Alva Starr, the coquettish town flirt with plenty of big plans but nowhere to go, their ensuing affair enrages Alva’s distant, uncaring mother and ignites a town’s revenge.
Unbridled passion and fiery emotion pours out of the screen in this remarkable Pollack feature, also featuring a jazzy score from Kenyon Hopkins.
Special Features
• NEW Audio Commentary by filmmaker Gillian Wallace Horvat
• Sydney Pollack on American Cinema – a retrospective career interview with director Sydney Pollack
• Natalie Wood – A Tribute by Peter Bogdanovich – featurette
• Interview on Natalie Wood with author Gavin Lambert
This 50s Western stars Robert Mitchum, Teresa Wright and Diana Lynn, directed by four-time Oscar-nominated director William A. Wellman.
With the ranch’s cattle falling prey to the elusive killer cat, Curt Bridges and his snowbound ranching family are forced to confront the beast to save the family’s herd.
Co-produced by John Wayne, the film is based on the 1949 novel by Walter Van Tilburg Clark, and makes startling use of colour in cinematography by William H. Clothier (Wings).
A “beautiful and splendidly haunting Eugene O’Neill-style drama …It’s a really rich and strange movie, all deep, brooding emotion, mysterious atmosphere and astounding show of visual flair.” – Derek Winnert
Special Features
• Audio Commentary by the director’s son William A. Wellman Jr., actor Tab Hunter and author Frank Thompson
• The Making of Track of the Cat – 4-part documentary
• Robert Mitchum, The Reluctant Star – documentary (1991)